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Always Archival? Artist's materials, Really Old and Really New.

2/26/2015

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I’m fascinated by ancient cave paintings - the fact that they are hundreds of years old, and those ancient artists told their stories with charcoal and blood and berry juice.

Another old art form - imagine unearthing a Pharaoh’s tomb! The incredible excitement in bringing to light treasures not seen for centuries…the tales they tell of Egyptian culture and history. The things that survived were crafted from materials that didn’t deteriorate, and we can still revel in their beauty today, because stone and gold has a pretty long shelf life.

A few weeks ago I visited an exhibit of artwork by Wassily Kandinsky – a pioneer in the field of abstract expressionism, and one of the founders of the modern art movement. This work was around 150 years old and still looked great. He worked mostly in inks and oils, and they’ve held up. Good thing, because there’s a sense of urgency in preserving it. It’s historically significant and needs to survive.

As a working artist today, some of the materials I use are fairly new to the scene. Acrylic paints don’t have nearly the history as stone, metal, charcoal or oils. I sometimes wonder if I should be using a different medium, but then I don’t imagine my art being pulled out of a cave one day. 

My message is for today’s viewer…and all the persnickety care I take in preserving it should last long enough.

What do you think?
Elaine

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2 Examples of Energy in Art

2/4/2015

1 Comment

 
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At The National Gallery a number of years ago, I stood in front of this painting - Girl in Red, by Edgar Degas. I had seen it many times before in books and while studying art history in college, but seeing it in person was overwhelming. The sheer size of it, the direct gaze from the girl’s eyes, the commanding presence it held over the room, it brought me to tears. The emotion surprised me a little and I quickly sniffed back the tears and dabbed at my eyes. I hadn’t felt any particular attachment to this piece before that moment, but it was a powerful reminder to me that Art has the ability to move you. 

This may sound Woo Woo, but there is energy in Art. This piece, for example…infused with positive energy! Degas spent many, many hours applying layers of paint. Many hours gazing at the subject. There is emotion involved, there is a chunk of LIFE involved – for the model as well as the artist. The painting vibrates with that life. It knocked me over emotionally. In truth it brought me joy, because the tears were happy tears. To me it was beautiful art but wrapped up in that was the glimpse into that moment in time, from my little moment standing in front of the portal that took me there. I was profoundly touched.

The emotional energy in a work can also be negative. I have a friend who had a large piece in her main living area that was an impressive focal point. She paid quite a lot for it, but something about this piece made her uneasy. She invited a few trusted friends over one night, sat us on her couch, and asked us to tell her about her painting. How did it make us feel? What did we think of when we looked at it?

After sitting there “taking it in,’ we told her what we saw, and none of it was good. It was an abstract, but we saw things that to us looked like angry faces – the piece just felt evil. I can’t explain it beyond that. She took it down, cut it up with a knife, and fed it into the fire burning in her fireplace. When I asked her why she wasn't going to try to resell it, she replied that the work should not exist.

More examples are coming, but I'll save them for another post. For now, pay attention to what you surround yourself with and how it affects you!

Blessings,
Elaine


1 Comment

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    Elaine Allen

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